Beat Factor: How are things going?
Krafty Kuts: Things are very good, thank you very much. Too many late nights, too many materials I have been working, I’m touring, doing my DJ work and stuff like that. So I’m keeping myself constantly busy.
Beat Factor: Let’s start with your alias, Kratfy Kuts. Where does it come from? What’s the story behind it?
Krafty Kuts: Basically, a few years ago I had a break dance club called that way. I used to teach young people how to break dance. Afterwards, I learnt how to play music for the break dancers, and then I just picked up the name, one day when I was being a bit crafty and I felt that DJ-ing was more fun than brake dancing and also a little bit safer.
Beat Factor: For some years now, you have been part of the Finger Liking family. How did you meet the guys from the record label?
Krafty Kuts: Basically, they got in contact with me and asked me to do a remix for one of their really early releases. I did the remix and then they found out I had some tracks available to be released and this was how it all started. We haven’t looked back ever since.
Beat Factor: So how do you feel like when being part of the Liking Finger brand?
Krafty Kuts: It’s a really good brand. It’s known worldwide, they have lots of club DJs, and there is a very good combination of different styles. It’s good for me to be a part of this team because people worldwide have heard of it and consider it as one of the best labels of breaks in the world.
Beat Factor: There are many people who see you as a part of the break beat elite. When exactly did you discover the breaks music?
Krafty Kuts: Probably about ten years ago. When I made my first record it was hip – hop and I felt that it was too much gangsta’ in it. It just didn’t meet the criteria of what I wanted to play in the clubs and also it wasn’t fast enough. I just wanted to move up in tempo and I found breaks and I thought that it fitted me perfectly.
Beat Factor: How was the break beat community at the time you started mixing break beat?
Krafty Kuts: It was quite funky around that period and then the whole bass line sort of thing came in. it wasn’t as great as it is now because now we have a lot of new technology that helps. At that time, there were a lot of genres that I was mixing up from hip-hop to drum and bass. Nowadays there are DJs sets very consistent in breaks music.
Beat Factor: Why do you think that now break beat isn’t so famous as it was before?
Krafty Kuts: What happened is that the new big beat with Fat Boy Slim trend came some years ago. They made it very commercial and very popular in a short period of time. And many people listened to it in the clubs. It was known form Canada to Australia. But now people are more into house and techno.
Beat Factor: You have recently compiled the Fabric Live compilation. You said that it took you almost two years to finish it. Why that long?
Krafty Kuts: Well, it has a lot to do with timing. They wanted something, I wanted something else. And I didn’t feel quite prepared to do this compilation and I thought that now was the perfect time. I mean, my repertoire is now perfect for people to listen to it.
Beat Factor: What does this mix CD mean to you?
Krafty Kuts: I love mixing CDs. I think that it’s quite fun and I also have something to learn from it. You push the boundaries, there’s a lot of independence, a lot of scratching. It’s a lot of fun, but it’s not something that you can rush. It’s something you have to reflect upon and spend a lot of time doing it.
Beat Factor: So actually, it took you two years to complete the track list for this compilation?
Krafty Kuts: It took me about three months, but convincing me to do a Fabric CD lasted a little bit longer. And now we finally had time to get together and start working.
Beat Factor: Last year in October you released an LP called Freak Show. How big a deal was for you to release this album?
Krafty Kuts: That was a difficult challenge to follow. I wanted to do something that would last over the time that you could listen in the club or in a pub, or on your iPod. Again it took me about two years to finish it. It was an eclectic style and very melodic, with lots of hip-hop. funk or Latino influences. And I think that it was a perfect representation of Krafty Kuts as an artist.