Beat Factor: You’ve just compiled the Fabric 38 mix CD. Is there any particular story that you guys wanted to share with the listeners?
M.A.N.D.Y. Well, we selected 100 tracks, tracks that we really like, so we had so many different approaches. There was more techno, deeper music, and then we thought to put more soul, melody lines, so the mix can survive for longer. That’s why you get excited when you’re listening to a CD, because you can’t get bored so easily.
Normally, what we do is mixing together, like one record to the other. The first half is made on Ableton, and the second half on vinyl; when you play on turntables, the mix has that dynamics that we like, but as time was a really problem, we considered doing half of the CD on computer and half on turntables.
Beat Factor: At the moment you are co owners to one of the biggest record labels in electronic dance music, Get Physical. What’s new on the label?
M.A.N.D.Y. Now, for the first time, we released a non dance material, which is Raz Ohara & The Odd Orchestra. We also found this new French band called Noze; they are from Paris and it’s a really crazy shit. So we want to do something which is not totally focused on the dance scene. There’s also a new Booka Shade album coming up, and me and my partner Patrick are going to leave for Island now, on Sunday (February 3), to start with the album as well. Also a new Body Language material coming up from Junior Boys, so there’s plenty of new stuff.
Beat Factor: Speaking about the label, who actually takes care of it now? Booka Shade, DJ T, MANDY..
M.A.N.D.Y. Well, we have now seven people working in the office with us, which are one of the reasons we don’t make any money. Nobody from the six of us ever earned one single euro with the label so far. But this is how we can go traveling, we can have a nice studio.. so it’s all good, we don’t complain.
Beat Factor: What’s the most outstanding artist you discovered on Get Physical?
M.A.N.D.Y. The biggest surprise was obviously Samim with his “Heater”. The track was done in a very short time and it came out as a joke; or not really a joke, but more a thing like “ok, let’s do it..”. And it blew off, which obviously was surprising. But personally I really like the
Lopazz album, it’s very dedicated music and for me this is an album that I’m still listening to quite a lot.
Beat Factor: As a record label owner, how do you think electronic music will evolve in a few years?
M.A.N.D.Y. I don’t think it’s something new on the stage now, even with all these new currents like dubstep, new rave or whatever. Everything has been done before, it’s nothing revolutionary anymore. There are new approaches, but there’s nothing brand new.